CULTIVATED IMPRECISION
by Carlo Buffa

ANNOMILLE

Once the graphic form of the title had been decided upon, the next step was to design all the required letters so I could do all the titles in the movie in the same form without having to do each one individually. This was a case where the font was created as a shortcut to save time and effort.

Free-hand sketches showing the development of the complete alphabet, with penciled corrections in halftone. The letters were digitalized on a scanner and then traced with the assistance of Adobe Illustrator.



ATypI ROMA
The shape of language

Italian Design Forum
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